In Lviv, French flutist Jean-Christophe Frisch promotes music of the Baroque real spring

to the city in no hurry, while replete with "French". As part of the "French Spring" in the main reading room of the Scientific Library of Ivan Franko Lviv National famous French flutist Jean-Christophe Frisch talked about features of Baroque music and demonstruvav copies transverse flutes era Handel, Bach and Vivaldi. This correspondent. A biologist by training and a musician by vocation, Jean-Christophe Frisch began a music career ’ EMU personal interests of famous composers. So now a lecturer at the Sorbonne muzykolohiyi teaches how was the music of the Baroque and influenced its formsuvannya, because this period in art XVII – eighteenth centuries is the subject of studies teacher. Frenchman Jean-Christophe compares music to sports. Indeed, in both cases, need constant training. But here, despite the physical and technical reposition the tool must also be intelligent reflection over the place of music and what is required to supportbut to play that way. Successful implementation of the program of sonatas for flute Antonio Vivaldi prompted Frisch create your ensemble for the study and promotion of baroque music « itinerant Baroque & raquo ;. Therefore, analyzing the history, theoretical researcher infers that Baroque music performed both political and religious function. &Laquo; After all, ToddKing Louis XIV and realized that music can posluhovuvaty his greatness, and the first to use communications to establish its dictatorship, employing exceptional talent of his court composer Jean-Baptiste Lully, who helped him in this. Therefore, when performing the music of Lully, I try to understand what is laid down in these notes and the notes beforeyut power of King & raquo ;, – so the role of music in the seizure of political power sees musicologist Jean-Christophe Frisch. In the religious mission of music researcher is satisfied, performing Bach cantata written for the Lutheran Liturgy. &Laquo; Mesa was required ’ binding, and if you have not seen it, you had to pay a fine. Then the service was Dovity and boring, so the middle of these two hours were only 15 minutes heartbreaking music that was to capture the thoughts of God congregation and make believe it & raquo ;. So, according to Jean-Christophe Frisch, feature baroque music was convincing. It should be taken with some allegory, but it is – she always saysto the listener: « I want you to say something … » Sometimes it was political: « King – Lord of the world! & raquo ;, sometimes: « I love you … » It could be a thousand different things, but she always tries to convey something. Therefore, we can say that baroque music is rhetorical. Indeed, rhetoric – the art of speaking,to convince the public, even though this may be a misconception and Baroque music written like that. &Laquo; hence the use of travelers and popularized it. When the ship sailed from Portugal to China on board were musicians, because it was believed that they could convince the Chinese in faith and it is in Pope & raquo ;, – an example takoyi rytorychnosti baroque music, Jean-Christophe. In order to understand the ancient music as a researcher observes, not only to understand it – need to know and value of graphic signs, and musical instrument – ear training. &Laquo; My work on the music of the seventeenth – eighteenth century is also to gather as much aleentiv to understand the score, abandoned by its author. The system of musical notation changed for centuries. The same sign means different things in different times. So the first thing to do, – learn the music alphabet era, even if the same characters, but their importance they have changed & raquo ;, – said Jean-Christophe Frisch. In LvivJean-Christophe Frisch promotes Baroque music and hopes to collaborate with some local musicians, and they organize a joint concert « Mozart in Galicia & raquo ;, which will be held on April 7, in the garrison church of Saints Peter and Paul. Told

Source: http://artlife.rv.ua/


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